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Die Zauberflöte
Anna
Todorova. as the Queen of the Night offered, ranging namely
from the aria of revenge to famous coloraturas, a brilliant, highly
dramatic
performance that stands the most demanding comparision and it was
marvelously harmonized with the orchestra and Schander´s conducting.
Thomas Gottinger, Mittelbayerische Zeitung 29. 5. 2006
I
Vespri Siciliani
Anna
Todorova as Elena thrills namely in the last 5th act showing
most
of her best vocal abilities. Even before she was able to affect – both in
duets
with Arrigo and in her solos.
Magda
Piorek, Gazeta Wyborcza 4. 5. 2006
Anna
Todorova was awarded deserved aplauding for the famous bolero
from the 5th act „Merce
dilette amiche“.
Wieslaw Kowalski, www.teatrdlawas.com
Rigoletto
Anna
Ivanova-Todorova sings divinely, with amazing pianissimo
and refinements that can be heard only rarely from this stage.
Ekaterina Doceva, Crescendo – Decrescendo 26. 2. 2005
La
Traviata
Anna
Todorova has wonderful pianissimos even in the highest tones
and she sang the final scene with natural warmth and sensitivity…
Jitka Slavikova, Hudebni rozhledy 9, 2000
Mefistofele
Uniting both Faust´s loves – Margherita and Elena – in one performer
showed as very effective. She fulfilled demands of both roles, in parts
of koloratura character as well as in dramatic moments.
Vlasta Bokuvkova, Plzensky denik 29. 1. 1999
Lucia di Lammermoor
Anna
Todorova based her Lucia od impressing contrast of a fragile human
being and fully dramatic vocal expression.
Helena Havlikova, Lidove noviny 10. 11. 1997 |
